Better Angels…recording

When we recorded the drums, we had the best room we could find and two great Engineers (Songwerks Studio = Robert Mackey & Greg Warnecke). Then, as we recorded the instruments, we had multiple microphones on each (Songbird had mostly one on each instrument). For the guitars, I added a Taylor 814 and a Gibson SG, that I searched extensively throughout multiple states to find. This greatly enhanced the sound of the guitars on each song.

I found Four great new vocalists…Flannery, Frosty, Cortney and Lori. This allowed me great flexibility to match their voices to the tones that best fit each song.

The rest of the tracks were added and selected, with the great ear of IV Lab’s Mike Sportiello… who sent the tracks over to Brian Zieske (Off Axis Audio). Brian then applied his talents to all these extra tracks, that he did not have when he worked on Songbird.

The result was a superior recording!

Better Angels is better because…

First, It starts with the writing. With better angels, I found it took less time to write the lyrics. When I noticed that, I was concerned that I was not giving them the attention that I had given previous material. Now however, I see they actually have as much or more meaning.

Also, In the past, sometimes I would write and purposely change words so that I would leave the meaning more open to interpretation by the listener. I thought this was better than focusing on a particular meaning…maybe it is. Now however, I do not intentionally do that and yet, I find the words to be working on several levels without purposeful intent on my part…I must be improving.

New Album “Better Angels”…

The new Album “Better Angels” is now released! It was over a year in the making and required two different recording studios.
Better rooms, sound wise, were available and more tracks were used to record the instruments. This allowed the sound engineers more flexibility. Listeners should be able to notice the advantages(technically)from previously released material. There is more depth to the recording and more resonance in each of the songs.
There are other reasons why this recording is better…I will cover these in future posts!

In My Dreams was a song that I believed in from the start.

In My Dreams was a song that I believed in from the start. Every new song is a favorite, for some period of time, but this one was always going to make it to the studio no matter what.

By the time I had the instrument tracks finished, it was a surprise to anyone who laid the final tracks because of all the additional arrangements. So in addition to being a favorite, at its core, it grew into a song that could carry the number two spot on the CD!

How “Home” Changed in the studio

Originally, the verse was a single vocal (me). While recording, Abby sang an echo to each line of the verse. Then, she added a second vocal to her part and it sounded great! So this song definitely became a better song in the studio.

Then we went to mix. When I had heard the first mix I asked why the second guitar was not audible. I was told there was no second guitar (turns out the second guitar was accidentally left out from the mix tracks). It worked however, so we left the song with one guitar. So this song became a better song in the mix also!

Listen to “Home” on Youtube.

“We knew After All was a special song”

We knew After All was a special song the first time we played it together. Not only was it well written but the progression of the story compliments the slow dynamic and crescendo, musically, at the end of the song.

I recall when we played it live as soon as we could. We opened the show with me telling the audience that we had a brand new song that we were going to play for the first time. I said it may come out a little raw but we really like it so … Turns out it was one of those times when half way through the song the room went quiet (one of my favorite audience responses)!

 

Listen on YouTube: “After All”

refining my songwriting process.

Originally I was writing longer, more intricate pieces of music. At least half of them would hardly be considered songs. Over time the material shortened in length and got more precise lyrically.

I found the more simple… the better. Even on Songbird I was shortening songs and I could see how much better they became ( to the point, precise, etc.).

Also, I seem to have developed a method by which I do not repeat lyrics on some of the acoustic ballad’s. The words progress , through the song, as one long story without repletion…and they work!

 

Listen to “Black Magic“.