The recording process for the album.

I began discussing the project with Clifford Williams (Bass). When we discussed Drums he said “you know I play Drums also… and I could play both on this recording”. So I asked, “Do you play the Drums as well as the Bass”? He replied…better!

So, he and I laid down the Guitar and Drums for all of the electric songs. He then recorded the Bass over those tracks.

I then laid down the Acoustic Guitar tracks for the acoustic songs.

Everything after that, were tracks that were added in a way that built the foundations of each song. Cello on Acoustic guitar, followed by more Guitar, followed by Violin, followed by Vocals.

After that we added various things, until we thought we couldn’t improve the song anymore. Take a listen to “Home” on my SoundCloud page.

Changes during the recording process of “Home”

Originally, the verse was a single vocal (me). I would sing a line… “I am feeling something good” and then wait two measures and sing the next line. This was ok, however I wanted to do something (vocally) to improve the song.

While rehearsing, I asked Abby to repeat after me (echo) each line of the verse… and it sounded pretty good. Then, in the studio, she added a second vocal to her part and it sounded even better!

This song definitely became a better song in the studio. Take a listen to “Home” on my SoundCloud page.

The song selection process for the album Songbird

In all I had about twenty songs to select. I was fortunate that the writing was clearly superior on  half of them and the arrangements were superior on a couple more. This made it easy to choose.

Also, It was pointed out to me that a number of the songs were very sad. So although these songs were well written and may have meant a great deal to me on more of a visceral level, I could see that they would be in conflict with the majority of the songs that were more uplifting and inspirational.

Inspiration for the song “Songbird”

The music came first, in the order of appearance in the song. The opening chord progression,followed by the picking you hear during the verse, then the bridge build up through to the resolution.

The verse starts the vocal and I had the opening line right from the start. So I had to think about a songbird… or songbirds. This got me through the first two verses, to the last line of the second verse “They sing out their hearts for you”.

At that point, I recalled a great passage from a great book, To kill a Mockingbird. “It’s a sin to kill a Mockingbird” because Mockingbirds do no harm, “They don’t do one thing but sing their hearts out for us”. This gave me the bridge, the resolution and the third verse. Where I ask the Songbird(s) to join in and sing loud and clear… which is what being a Songbird is all about!

Moving forward

I feel that the ballads on Songbird have broken new ground. What has been achieved is a greater depth for the ballad and a more modern role for the stringed classical instrument. The ballads will continue to incorporate the classical stringed instruments. Hopefully this continued direction will take us to even greater heights.

Instrumentation for the album

Since half of the songs on this album are “electric” ( Drums, Bass, Electric Guitar) and half the songs were Acoustic Ballads, the instrumentation was self evident. What happened along the way was, the more I brought the Cello, Violin and Vocal into the process, the more the ballads became special. What I want to convey is that even though these instruments were selected initially to be part of the process, the more we worked on the material the more I realized how much depth they were adding. So much so, that it became apparent that the more we expanded their role, the better the project became.

How I wrote the album “Songbird”

Songbird was written one song at a time. Each song comes from a particular event or series of events that I experienced over that time period. I was able to capture the moment(s) and translate them into music and lyrics. What was even more amazing was how the musicians that I worked with, were able to connect to the meaning and spirit of the material.